背后的凶手

实际上在顾潇潇眼里，还真(🍝)没觉得有谁丑过。

她转头就往外走，刚刚走出门诊大楼，身后却忽然又传来孟(🛌)宇的声音：悦颜，悦颜

孟(mèng )行悠过了六(liù )天没有电子设备(🎺)的日子，第六天闭幕典礼结束，回到学校的时候，有(yǒu )种恍如隔世的感觉。

他乘坐的车(🔭)子终于开动，景厘缓(huǎn )缓站直了(le )身子，目送着那辆(liàng )车消失(shī )在(zà(📢)i )视线之中，才又低头打开了手中的戒指盒。

哟，还瞪我呢？慕浅说，你难道不应该对我说一声谢(xiè )谢(xiè )？如果不是我和我儿子开口，沅(🍵)沅会留下来(🌈)吗(ma )？

说到这，张秀娥的声音一冷：不过不管是不(🌘)是我小姑指使的，那事情(qíng )都是他做的，他这用心可是够(💙)歹毒的，这(zhè )在我的(🌞)门口(kǒu )放火，可不是想烧我的房子，而是想(🍱)要我的命啊！

老大夫冷(lěng )笑(xiào )一声，救人我还得(🚂)看看值不值得救，就你这样抛妻弃子的混账，我反(fǎn )正是不救的。

一个大家族里的家庭(tíng )纠葛。老爷(🗓)自杀，小妾偷情，情夫偷盗行骗，小姐(🍘)蒙冤，另一小姐被勾引。

This is a rather depressing story about a woman who suffers depression and returns to Spain from Venezuela, where she has been living with her wealthy lover. This woman, well played by a dubbed Viveca Lindfors, seeks treatment in an asylum which appears to be located near Madrid. Although they hadn't meet since she was a 4 years old child, her daughter (a dull Sonia Bruno) is not resentful, and joins the mother in the asylum, where the patient will undergo a psychodrama treatment. The plot revolves around both women's difficult relationships with their respective lovers, and the rich patients who surround the middle-aged (Viveca and Francisco Rabal) and young (Sonia Bruno and Julian Mateos) couples. Some other small characters which are quite interesting are patients such as a highly neurotic blonde bombshell actress (played by lovely Gisia Paradis), a bipolar and gossipy woman (Laly Soldevilla)...both providing a few very welcome camp humour relax moments to an otherwise very gloomy story. I liked the psychodrama session scene with Viveka and Rabal reenacting the scene that triggered her depression, and I think that the film was well handled, had good production values, good development of characters. Maybe the young couple lacked charisma, and some scenes were a little bit slow-paced. Francisco Rabal played his usual strong male-voiced masculine self, and if effective, I don't find him interesting. Viveca Lindfors was very compelling, and with her use of body and facial expressions managed to bring to life her not very appealing part of a depressed bourgeois housewife. Julian Mateos had a nice body at the time, and was OK as the tortured alcoholic and violent patient who seduces the visiting sweet Sonia Braga. Overall, a curious example of the Spanish attempt at a sort of new wave in the 1960's by the prestigious Miguel Picazo (La Tia Tula, 1964), and mainly recommended to Miss Lindfors' fans.

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