Nadie Oyó Gritar - 电影7

老？你能有我老？少在我面前叫苦(👿)连天的！

张秀娥琢磨了下，如果是这样的话(🈳)，那这一万两，只是个成本价。

秦肃凛站在(⌚)门口，回身道：(📳)似乎是孩子又(yòu )发热了(le )，他们去找大夫。

容隽(🎖)却将杯子捏得很(hěn )紧，乔唯(🐞)一拉了两下都没有(yǒu )拉下来，反而容隽一缩手，重新将酒杯(😬)牢牢掌控在自己手(👅)中，同时不耐烦地抬眸(móu )开口道：你干什么——

The illegal activities of a village magistrate are brought to the attention of the royal court and Cheon-su is sent to deal with the situation

This is a rather depressing story about a woman who suffers depression and returns to Spain from Venezuela, where she has been living with her wealthy lover. This woman, well played by a dubbed Viveca Lindfors, seeks treatment in an asylum which appears to be located near Madrid. Although they hadn't meet since she was a 4 years old child, her daughter (a dull Sonia Bruno) is not resentful, and joins the mother in the asylum, where the patient will undergo a psychodrama treatment. The plot revolves around both women's difficult relationships with their respective lovers, and the rich patients who surround the middle-aged (Viveca and Francisco Rabal) and young (Sonia Bruno and Julian Mateos) couples. Some other small characters which are quite interesting are patients such as a highly neurotic blonde bombshell actress (played by lovely Gisia Paradis), a bipolar and gossipy woman (Laly Soldevilla)...both providing a few very welcome camp humour relax moments to an otherwise very gloomy story. I liked the psychodrama session scene with Viveka and Rabal reenacting the scene that triggered her depression, and I think that the film was well handled, had good production values, good development of characters. Maybe the young couple lacked charisma, and some scenes were a little bit slow-paced. Francisco Rabal played his usual strong male-voiced masculine self, and if effective, I don't find him interesting. Viveca Lindfors was very compelling, and with her use of body and facial expressions managed to bring to life her not very appealing part of a depressed bourgeois housewife. Julian Mateos had a nice body at the time, and was OK as the tortured alcoholic and violent patient who seduces the visiting sweet Sonia Braga. Overall, a curious example of the Spanish attempt at a sort of new wave in the 1960's by the prestigious Miguel Picazo (La Tia Tula, 1964), and mainly recommended to Miss Lindfors' fans.

在一个远离(🚊)城市喧嚣的寂静(👪)所在，迷离中央的木屋中，居住着美丽(lì )的聋哑女作家麦(😙)蒂·杨（凯特·西格尔 Kate Siegel 饰）。她的世界寂静无声，而在写作时心底又会有个声音充(chō(🤡)ng )满她那(❔)静(🎓)谧的内心世界。当此时的写作陷入僵局时，麦(🤢)蒂起身(🛒)去(🥙)厨房收拾餐具，就在此时不久前才刚见过(guò(🤶) )的好友莎拉（(🎪)Samantha Sloyan 饰）残忍杀害。可惜任凭莎拉百般呼救，却无法引起麦迪的注意。一无所知的麦蒂回到电脑(nǎo )前继续工作，而那个男人则悄悄潜入室内。这时麦蒂突然收到(dào )从自己的(🍭)手机上发来的(de )短信，里面则是蒙面男子用手机拍(pāi )下来(lái )的照片。

傅(fù )瑾南笑了下，余光里摄影师已经(🍯)跳了下(xià )来，他(tā )直起身，指腹在她手心(xīn )勾了下，低声笑了笑：那(⛸)就(jiù )对了。

就(jiù )在这个时候，刘兰芝的爹娘和(hé )弟弟妹妹，张(🔧)进喜的岳家，真的拖家带口的来了。