新城故事 - 电影7

同样都在五中(zhōng )，可人与人之(👅)间的(😤)差距为什么这么大呢？

庄(zhuāng )依波嘴唇动了动，可是话到嘴边，又不知道怎么开口。

你那驴是你伺候男(ná(🗑)n )人(rén )来的！我才不稀罕(🎺)！张玉敏(💼)反(🕷)驳。

Sci-fi is a rapidly changing genre. It loses impact even more rapidly than horror. Therefore it's virtually impossible to see a sci-fi movie from the past (from the pre-space period, i.e. late 50s) that isn't laughable in some sense. First serious sci-fi epics appeared in the very early 50s, and bearing in mind the first space yarn was filmed by Melies in 1902, we get about 50 years of sci-fi without the very basic concepts of space travel. Where The Trip To The Moon can be dismissed as a funny experiment, The Trip To Mars cannot. This is a serious film. The makers didn't know about weightlessness or the absence of atmosphere in space, plus about a hundred more things we know today. That was the period, when everybody was raving about the channels on Mars, so they naturally assumed there was intelligent life on that planet. Melies shows frogmen and other strange creatures on the Moon; in 1924 there appears the still popular tinfoil dress for Martians in Russian film Aelita. So, in between, we get the Egypto-Greek fairy-tale world of this film: wise old priests being wise; and virgins prancing around, praising virtue in the world, where virtue obviously is as normal and unnoticeable as metabolism. Enter the Earthlings, introducing death and sin. Well, nothing spectacular follows: they soon are "cured" and learn the ways of the righteous. This film is a total orgy of enjoyment. The double feature released by the Danish Film Institute (together with a disaster film from 1916, The End Of The World) boosts their usual superior quality. The Danes began storing and archiving their films very early, so you get a very clean second generation copy from a period when most of US films withdrawn from circulation went to the glue or comb factory. It's a pity this film with so many different locations isn't color tinted. The rather uninspired piano accompaniment, another trade mark of the series from the DFI, tends to grow a bit tedious too. But nevertheless, a remarkable film and something you can show to your friends without being afraid that they'll think you're a weirdo.

1970年后的柏林。Sonnenallee大街（太阳大街）是东柏林和西柏林之间的通道。那儿的人们过着平静的生活。来自西柏林的希望、悲伤、爱情(🔑)和梦想也都(dōu )交织在一起，勾勒出东德在柏(🔔)林(lín )墙倒塌之前的情形，画面真实而感(🥥)人。-CCF

几十只巨鳄跟豪猪的尸体堆在一起，简直跟一个小山包似的。

在(zà(🌹)i )人类世界里暗中行动的智慧生物——砂糖(🦍)人。　　他们为了(le )获取“黑暗零食”持续掳掠人类。　　接连(lián )不断有人类遭到砂(shā )糖人袭击(jī )，从异世界而来的青年生真，为了拯(🐅)救人类(lèi )挺身而(ér )出。　　饱藏，是生真吃下零食

低低的(de )带着(zhe )哭音的语声从她指缝间(🍂)传来，大娘，你误会(huì )了(🧐)

她一进梦空间，就用力吸了一口空气，淡淡的青草香(🧓)夹杂着不知名的花香，让有些眩晕的脑(👪)袋，恢复了(🌦)(le )一些清明。