SUESUT was kicked out from his band by the reason that his image does not look Indy enough to be a member of a Pop Indy band. He decided to form a new band by himself brings JIM and TO as new members.
张采(cǎi )萱摇头,已经没事了,出来就好多了。
宋嘉兮摇头:还(hái )没开(kāi )始呢,你先给我跟初初拍一张(🏪)合照吧。
nopropsが制作したフリーゲ(👜)ー(🆎)ム(🎌)をAKB48の入(🕓)(rù )山杏奈主演で映(🖊)画化。クラスに馴染めない転校生(shēng )のシュンと彼を気に掛けていた(😽)杏奈は、ある日、同級生らと共に化け物が現れると噂(📈)され(🎽)る不気味な洋館に足を踏み入れる(🗻)が、彼らに巨大な青い(😎)影が忍(🍬)び寄り…。
就连秦肃凛也这么想,这日夜里,烛火下照得屋子昏黄,他看着张(💡)采萱对着烛火穿针引线,道:采(📏)萱,你说我们(men )要不要买些地?
话音刚(gāng )落,自己便稳稳坐到了(🆗)橱柜上,两只大手扣在她的腰间(🏉),让她动弹不得。
然(rán )而,在对(duì )上容恒微微阴沉的视线之后,对方迅速敛了笑容,飞快地正色跟陆沅道别。
一个美国家(💦)庭继承了挪威山区一座偏僻的小木屋,实现了他们落叶归根的梦想,但却(què )没想到有一个惊喜也在(zài )等着他们。
Joanna Hogg’s third film has been a buzz-magnet on the recent festival circuit, drawing comparisons to Haneke, Tarkovsky, Malick, Antonioni, and Akerman. A well-off, artistic West London couple identified only as D (she) and H (he) find their already tenuous relationship threatened by the impending sale of their home. Through coolly meticulous compositions and sound design, Hogg dissolves the boundaries between exterior and interior, and between architecture and inhabitant. The house itself (a glass-and-partitions modernist showpiece) truly becomes a character in the film, functioning as the couple’s child, mirror, sanctuary, prison, lover (most explicitly in D’s furtive acts of exhibitionism and masturbation), and much more.
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