赎金危机 - 电影6

在一个由女人主宰的世界里苏醒后，一名无耻的大男子主(zhǔ )义者因与一名有权势的女作家发生争执而自食苦果(guǒ )。

凯特(tè )尼斯·伊夫狄恩，燃烧的女孩，虽然她的家被毁了，可她却(❕)活了下来(🗡)盖尔也逃(táo )了出来，凯(💍)特尼斯的家人也安(ān )全了，皮(pí )塔被凯匹特抓走了。十三区真的存在，出现了反抗，出现(🔚)了新的领导(dǎo )者，一个革命的(de )序幕正在缓缓拉开。 凯特尼斯从噩梦般的(🎉)竞技(⛓)场(chǎng )逃(💣)出来(🛋)是(Ⓜ)已经设计(😙)好的，她(🌌)是反抗运动的参与者，也(🌿)(yě )是设计好的，而她对此并不知(📍)情。...

Judas, a seasoned thief, finds himself in the market square where Christ is giving a sermon and his apostles are collecting alms. He follows them and ...

身前突然一道阴影打下来，顾潇潇抬起头：阿战(zhà(👽)n )？

在众人的眼中，张春桃是一个非常不错的(de )农家姑娘，虽然厉(lì )害了一些，但是大家对她的印象还是不错的，如今张春桃有了这样的遭遇，大家的(🧕)心中还是很同(tóng )情的。

A young, seemingly mute woman has been fixed to the wall of an apartment with a long metal chain. She is being kept as a slave in the home of taxi driver Phanishwar, where she sleeps on a table and cooks for him. Phanishwar is a fervent supporter of the right-wing extremist guru ‘Baba’ and spreads his hatred in the commentary sections of social networks. One day he meets a young woman, Rami, who has had to go underground in Goa after a secretly filmed sex video in which she appeared went viral on the internet. He becomes her driver, whilst secretly stalking her online. Indian director Q does not shy away from controversy, having already succeeded in inflaming passions with the dark tales in his feature film debut, Gandu. His stylishly shot revenge story Garbage revolves around two women who are exposed to different forms of oppression. Q initially takes time to develop the events, making some (queer) detours until eventually, things radically change. And when female martyrdom turns into retaliation, the director finds drastic images for the filmic deconstruction of (Indian) masculinity.

Uli (Heino Ferch) und Nora (Ina Weisse) verbindet eine tiefe, späte Liebe. Als Fremdenführer zeigt Uli täglich Dutzenden von Menschen seine geliebte Heimatstadt Hamburg. Doch eines Tages lähmt ihn ein Hirnschlag, sodass er sich von einem Tag auf den anderen nicht mehr mitteilen kann.

见(🖤)他们俩个养眼的大男孩，居然目不斜视，规规(🕒)(guī )矩矩的坐在一起，顾潇潇觉得非(fēi )常别扭。

其实这一天跟往常也(🛐)没有什么区别，无非是回到从前熟悉的地方转了转，多看了两场戏而已。